Syllabus for Roster(s):

  • 15Sp ISHU 4165-101 (SCPS)
In the UVaCollab course site:   American Directors

American Directors

ISHU-4165

Spring, 2015
Bachelor of Interdisciplinary Studies Program
Undergraduate Course, 3.0 Credit Hours
University of Virginia
 
American Directors: Oliver Stone, Steven Spielberg, David Fincher, Martin Scorsese, Robert Altman, Paul Thomas Anderson
 
Robert Kolker
434-982-5252
 
Web Based
Online via Blackboard Collaborate LTI
Wednesdays, 4-6:45
 
Course description:
This course will investigate the work of six of the most interesting and important
contemporary filmmakers. Each one has a unique style and an approach to film
that combines stylistic innovation with a particular cultural vision. Whether examining
contemporary politics, the American gangster, fantasies of space visitors, their films
provoke acclaim and, often, controversy.  
 
Learning Outcomes: Students will gain an understanding of contemporary film through
the close analysis of some of the works of six prominent contemporary directors.
Students will be able to understand how contemporary Hollywood works and how
film reflects the work of culture and the imagination.
 
Textbooks:
If you have never had a film course: Kolker, Film, Form, and Culture, McGraw Hill. (However, this
title is undergoing revisions and may be difficult to find.)
Additional readings are linked on the syllabus.
 
Course Methodology and Requirements (Assessment Components)
 
The course is run online, seminar style. Attendance is mandatory.
 
Each week, the class will view films as indicated on the syllabus (DVDs are on reserve in Clemons Library
and readily available at most rental outlets).
Students will be asked to discuss these films prior to class on
in the Forums. This discussion will constitute part of the grade. For each meeting, there
will be a set of
particular questions. 
These questions will form the basis for team presentations for the week. The teams
will be selected at the
beginning of class. Each group within the team will be assigned to one of the
general questions each week and prepare a PowerPoint presentation for the week.

Depending on the size of the class, there will be 4-5 presentations each week.
 
There will be two research papers of approximately 6-8 pages in length. The papers will
analyze one or more of the films by the directors we are studying, including films
not discussed in class. The papers can be on any topic—a close analysis of a
film or films, a study of some historical or cultural issues surrounding the films,
a discussion of influences by our directors on other films —chosen
by the student in consultation with the instructor.
 
Evaluation Standards: The major part of the grade, at least 75%, will be based
on the quality of the two papers. These will be evaluated according to the
development of argument, the quality of the writing and thought, the ability
to reach clear conclusions. The remainder of the grade will be based on
level and quality of participation including contributions to forum discussions,
weekly presentations, and class discussion.
 
 
 
UVaCollab: each week the course will meet online on BbCollaborate, accessed through the
“BbCollaborate LTI” tab on Collab.
Here is a quick reference guide to the Blackboard Collaborate screen.
 
Weekly reading assignments are linked to the appropriate week in Collab.
 
End of Semester course evaluations are also available on Collab.
 
Technical Requirements:
· UVa Computing IDs and Passwords
· Internet Explorer (7.0 or above) or
· Mozilla Firefox
· Headset/Mic: Recommended Logitech Headset with USB
Technical Support:
   Login/Password: idtteam@virginia.edu
· UVaCollab: collab-support@virginia.edu
· BbCollaborate (Elluminate) Support: idtteam@virginia.edu or http://support.blackboardcollaborate.com


Presentation Groups & Teams
General Questions for Analyzing a Film
What to Look for in a Film
Narrative-Critical Terms
Tips for Writing Film Papers
Twelve Writing Principles
Tips on Using Commas in Your Essays
Citation formats from The Chicago Manual of Style

 
 
                                                                                 Syllabus
Date
Films
Readings
Introduction to the Course
Read through Film, Form, and Culture and study the DVD--if available.
Read Andrew Sarris, “The Auteur Theory
Mean Streets, Scorsese, 1971 (DVD00134)
Taxi Driver, Scorsese, 1977 (DVD00015)
Jaws, Spielberg, 1975 (DVD01077)
Close Encounters of the Third Kind, Spielberg, 1977 (DVD07588)
 
Raging Bull, Scorsese, 1980 (DVD00065)
Fight Club, Fincher, 1999 (DVD01228)
Talk Radio, Stone, 1988 (DVD09010)
There Will Be Blood, Anderson, (2007) Online
Don Kunz, "Oliver Stone's Talk Radio"
Jason Sperb, from Blossoms & Blood

Topics for First Papers Due
Platoon, Stone, 1986 (DVD10764)
Saving Private Ryan, Spielberg, 1998 (DVD01126)
Marylin Young, “In the Combat Zone
Toplin, "Hollywood's D-Day..."

 
Feb 25
 
Natural Born Killers, Stone, 1994 (DVD00549)
Seven, Fincher, 1995 (DVD02234)
 
Schmidt, "Natural Born Celebrities"
Kristen Thompson, “Se7en” in the Morgue
 First Papers Due
JFK, Stone, 1991 (DVD01855)
Nixon, Stone, 1995 (DVD04155)
Robert Burgoyne, "JFK"
Auster, "The Bacchae & the Missing Prince"
 The Long Goodbye,  Robert Altman, 1973 (DVD06708)
Goodfellas, Scorsese, 1990 (DVD02560)
Charles Gregory"Knight Without Meaning?"
 
 
March 25

Short Cuts, Robert Altman, 1993 (DVD04618)
Magnolia, Paul Thomas Anderson, 1999 (DVD01227)
 
Donna Peberdy, "From Wimps to Wildmen..."
 
The Game, Fincher, 1997 (DVD04055)
The Master, Paul Thomas Anderson, 2012 (DVD04675)

 
Murray Pomerance, “A Royal Audience: Voyages of Involvement in David Fincher's The Game
Claudia Gorbman, "The Master's Voice"
Topics for Final Papers Due
 
Zodiac, Fincher, 2007 (DVD10387)
The Social Network, Fincher, 2010 (DVD13394)
 
Robert Koehler, Zodiac

Benson-Allott, "The Algorithmic Spectator"
Giralt, "Realism and Realistic Representation in the Digital Age"

Schindler’s List, Spielberg, 1993 (DVD03492)
Munich, Spielberg, 2005 (DVD06225)
 
 

Week 14
April 22


Gone Girl, Fincher, 2014 (DVD17371)

Final Papers Due Midnight, Monday, April 20.
 
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